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Titlebook: Realism and the Audiovisual Media; Lúcia Nagib (Centenary Professor of World Cinemas Book 2009 Palgrave Macmillan, a division of Macmilla

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31#
發(fā)表于 2025-3-26 21:21:46 | 只看該作者
hold a school on “Equidistribution in number theory” to introduce junior researchers to these beautiful questions, and to determine whether di?erent approaches can in uence one another. There are far more good978-1-4020-5403-7978-1-4020-5404-4Series ISSN 1568-2609
32#
發(fā)表于 2025-3-27 04:20:37 | 只看該作者
Breath Control: The Sound and Sight of Respiration as Hyperrealist Corporeality in ,
33#
發(fā)表于 2025-3-27 05:52:59 | 只看該作者
34#
發(fā)表于 2025-3-27 11:08:39 | 只看該作者
Lúcia Nagib (Centenary Professor of World Cinemas
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發(fā)表于 2025-3-27 16:47:15 | 只看該作者
36#
發(fā)表于 2025-3-27 19:16:27 | 只看該作者
37#
發(fā)表于 2025-3-28 00:53:17 | 只看該作者
Realism, Real Sex and the Experimental Film: Mediating Eroticism in ,’ (Freud, 1990, p. 340). Bataille is ob-scene (in the sense of being off screen), even though his life is referred to and the film takes the title of his most famous novella, . (Bataille, 2001b), the ‘Ur’-text of a considerable portion of avant-garde pornography or intellectual erotica.
38#
發(fā)表于 2025-3-28 06:00:20 | 只看該作者
39#
發(fā)表于 2025-3-28 06:38:53 | 只看該作者
Whither Realism? Bazin Reconsidereds former teacher – the Nazi and implied paedophile, Henning (Erich G hne) – has poisoned his ailing father (Ernst Pittschau), is shown walking through bomb-ruined Berlin. During the sequence he has his attempts at joining a game of football with some other children rebuffed, then his attention drawn
40#
發(fā)表于 2025-3-28 14:13:05 | 只看該作者
Brecht, Realism and the Mediahe 1928 musical ., based on John Gay’s eighteenth-century parody of high opera in the style of Handel, was a collaboration between Brecht, Elisabeth Hauptmann and composer Kurt Weill that became the most successful stage performance of the Weimar Republic, translated into numerous languages and prod
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