Titlebook: Readings of Trauma, Madness, and the Body; Sarah Wood Anderson Book 2012 Sarah Wood Anderson 2012 body.corpus.English literature.fiction.g

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Readings of Gender and Madness in Hemingway’s , and ,s refrains, then, are indications of his psychic instability, a condition from which she must calm him down. Not only his confessor, she is also his therapist. Often reclining on Renata’s body as he talks, Cantwell is engaged in the process of mental recovery.

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Infidelity and Madness in Fitzgerald’s , as representing the changing force of modernity, elevated to this position by their family’s reputation and their financial power. Dana Brand writes, “Throughout . women are associated with the cosmopolitan fluidity exemplified by American tourism, film and shopping” (Brand 137)..

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Creating a Language of Rebellion: Madness in H.D.’s ,her and brother, traumatizes her. She sees this failure not only as an inability to perform at school, but also as an inability to perform the norms of life. “Her development, forced along slippery lines of exact definition, marked supernorm, marked subnorm on some sort of chart or soul-barometer .

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Conclusionitself be traumatic. Modernist writing does not suspend reference but leaves undecided whether the imposition of meaning is overwhelming (whether the psyche is overwhelmed by reference), or whether the words on the page bear no relation any longer to comprehensible reality” (Baer 316).

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