Titlebook: Reading Skin in Medieval Literature and Culture; Katie L. Walter Book 2013 Katie L. Walter 2013 Skin.material culture.medieval literature.

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https://doi.org/10.1057/9781137084644Skin; material culture; medieval literature; culture; English; English literature; imagination; literature;

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,Wondrous Skins and Tactile Affection: The Blemmye’s Touch,of others touches us. We can touch the things we read, and, as medievalists, some of the things we read really are skin. We are even talking more and more about the fact that parchment is skin.. Yet we’re not talking much about what this reading . like, even though touching manuscripts can yield val

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,Havelok’s Bare Life and the Significance of Skin, skin provide a support for symbolic activity, say in the context of medieval viewing or reading practices or by virtue of its deployment as a judicial penalty? When, conversely, does it operate only as an abject, material residue? As Sarah Kay has demonstrated in a series of recent articles, mediev

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The Form of the Formless: Medieval Taxonomies of Skin, Flesh, and the Human,; it is that which inscribes the interior on the exterior and manifests the self. Didier Anzieu’s influential psychoanalytical theory, for example, understands skin to function as the background or screen against which the self emerges: skin is thus “a basic datum that is of both an organic and an i