Titlebook: Reading Shakespeare in the Movies; Non-Adaptations and Eric S. Mallin Book 2019 The Editor(s) (if applicable) and The Author(s), under exc

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Shakespeare in the Movies: Meaning-Making in the Non-Adaptation,perfectly embodies Shakespearean plot arc and subtexts. I conclude the introduction with a brief meditation on the film work of Stanley Cavell, who first wrote about the Shakespearean non-adaptation. Cavell’s readings are powerful and problematic, and I address some of the complications of attempting this kind of interpretation.

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Out of Joint: , as Contemporary ,s the entire revenge project into doubt through the device of temporal, narrative dislocation (the story is told, for the most part, backward). The film displays a remarkable structural doubling with Shakespeare’s play, embedding a metacommentary on its tale as Hamlet does with ..

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The Violence of Meat: ,, ,, and the Fate of the Animal,gage with an ecology of animal welfare as the tragic source: animal slaughter haunts the violence in the works. The depredations compel philosophical and political meditation about the vanishing line between human and animal.

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Epilogue: , and Modulations of Shakespearean Revenge, but his view of the world becomes the obstacle to optimism in this present life; there are too many revenge stories, too many .s and the like, but in the non-adaptation, we can tell those stories in a different way, to a different end.

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Book 2019 the ways that .The Godfather., .Memento., .Titanic., .Birdman, .and. The Texas Chainsaw Massacre .take on new life in dialogue with the famous playwright. In addition to challenging our ideas about adaptation, Mallin works to inspire new awareness of the meanings of Shakespearean stories in the contemporary world..

Misgiving

Disturbing Dreams and Transcendence in , and ,is mental alter-ego, the superhero Birdman. Along with its meditation on the dangers of adaptation itself, the film traces the arc of the hero’s life in extraordinary sympathy with Prospero’s experience in .: both heroes are on an island, with their daughters, desperately seeking restitution and a form of resurrection before they die.

Blood-Vessels

Shakespeare in the Movies: Meaning-Making in the Non-Adaptation,ly or even indirectly to Shakespeare. I call such films “non-adaptations,” and the most celebrated film that belongs in this category is Francis Ford Coppola’s . (1972), a modern vision of .. With its terrifying ghostly father, monstrous son, and tragic self-damnation through criminality, the movie

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Out of Joint: , as Contemporary ,search for vengeance that makes him vulnerable and exposes him to moral hazard. Both this and Coppola’s film show their Hamlet figures in a tragic and darkening landscape; these films neutralize and refuse to glorify the revenge impulse—arguably, as Shakespeare does as well. Nolan in particular cast