Titlebook: Reading Philip Roth; Asher Z. Milbauer (Associate Professor of English) Book 1988 Palgrave Macmillan, a division of Macmillan Publishers L

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Nuance

,From Newark to Prague: Roth’s Place in the American-Jewish Literary Tradition,ands Nathan Zuckerman a white piece of paper on which one word appears in his mother’s handwriting, her response to the doctor’s request that she write her own name. The word is ‘Holocaust’, and Nathan notices that it is perfectly spelled.

allude

加強(qiáng)防衛(wèi)

OTTER

Half a Lemon, Half an Egg,nial of appetite, the refusal of gratification. My title combines two strikingly ascetic images, one taken from the Zuckerman novels, the other from the Kepesh novels. In ., E. I. Lonoff asks for half an egg for his breakfast — a humorous gesture but not trivial, because of his habit of self-denial

MIRE

Fictions of Metamorphosis: From , to ,is in which a new self emerges to stand in striking opposition to the old. The strangeness of the transformation lies not only in its improbability or the grotesqueness of the new self, but in the survival of the old as a grudging yet tenacious partner. Like the different phases of desire in Freud’s

ureter

Fiction, Show Business, and the Land of Opportunity: Roth in the Early Seventies,fear — by the pathetic talent agent Milton Lippman in ‘On the Air’ (1970), concerns almost every Roth protagonist from Neil Klugman to Nathan Zuckerman: are we — to borrow the title of Neil Postman’s recent study of ‘Public Discourse in the Age of Show Business’ — amusing ourselves to death?. As lon

躺下殘殺

,‘None Other’: The Subject of Roth’s ,uate, but now recalls little of the novel with the exception of the hero’s repulsive sexuality and a bizarre female character bearing the nickname of ‘The Monkey’. More recently, she has read . and, enjoying the seeming lightness and brevity of that novel, has started .. But she soon tires of Zucker

永久

,Some Notes on Roth’s , and ,. When we arrived, the little table next to ours was already occupied by a man immersed in a book. We ate and drank, and, throughout, the man continually glanced over at us. To make his continuing solitude seem natural, he kept up a pretence of waiting vainly for a woman. This role became harder and

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