Titlebook: Reading Narrative Discourse; Studies in the Novel Andrew Gibson Book 1990 Andrew Gibson 1990 Aristotle.coherence.fiction.Friedrich Nietzsch

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動(dòng)脈

LUT

evaculate

綠州

,The ‘Eumaeus’ Episode in , merely as a ‘transitional chapter’.. Its defenders’ arguments have seldom proved weighty. We have been asked to notice its emphasis on the ‘return story pattern’, as though parallels to Homeric legend were evidence enough, in themselves, of significance and value.. Critics have stressed particular

贊成你

and ,wed by Balzac, Dickens and Flaubert. He admired what he called their ‘Beherrschung der Dinge’ (their ‘mastery of the material world’) the ease with which they seemed to take command of reality in their fiction.. Kafka himself, on the other hand, was profoundly diffident. Dickens’s premises, or Balza

EVEN

,Henry Green’s Novels,rts of the self, different parts of a life, different aspects of an event or situation. This leaves him peculiarly sensitive to what . refers to as the ‘gulfs’ in social life: gulfs between individuals, classes, walks of life, school and home, business and home, the old and the young, ‘officers and

Vital-Signs

Beckett from Assumption to ,nd its object’ (., 15). We are therefore customarily like tourists ‘whose aesthetic experience consists in a series of identifications’ (., 11). In other words, we put familiar names to unfamiliar things. Beckett’s critics have sometimes proved his point. Anaesthesia follows insight, and the critic

有偏見(jiàn)

Don Quixote,ally, it guarantees the authenticity of those realities by playing them off against Quixote’s commitment to romance, against quixotic delusion. As Auerbach sees it, ‘the persons and events of everyday life are constantly colliding’ with Quixote’s madness, ‘a(chǎn)nd come out in stronger relief through the contrast’..

形上升才刺激

Clarissa,list, and made large claims for Richardson’s knowledge of ‘the human heart’.. So did many of Richardson’s other admirers, from Madame de Sta?l to Diderot and de Sade.. Modern critics have tended to follow them, at least, in describing Richardson as a sentimental novelist..