Titlebook: Reading Historical Fiction; The Revenant and Rem Kate Mitchell,Nicola Parsons Book 2013 Palgrave Macmillan, a division of Macmillan Publish

宣告無效

書目名稱Reading Historical Fiction影響因子(影響力)




書目名稱Reading Historical Fiction影響因子(影響力)學(xué)科排名




書目名稱Reading Historical Fiction網(wǎng)絡(luò)公開度




書目名稱Reading Historical Fiction網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Reading Historical Fiction被引頻次




書目名稱Reading Historical Fiction被引頻次學(xué)科排名




書目名稱Reading Historical Fiction年度引用




書目名稱Reading Historical Fiction年度引用學(xué)科排名




書目名稱Reading Historical Fiction讀者反饋




書目名稱Reading Historical Fiction讀者反饋學(xué)科排名

補助

,‘All Histories Are Against You?’: Family History, Domestic History and the Feminine Past in , and ,s a passionate refusal of masculinist history. As Stuart Curran has astutely observed, Anne’s ‘sharp observation […] has often been taken as a characteristically oblique expression’ of Austen’s ‘feminism as well as a defense of her singular craft’ (1993, 177).

THROB

意外的成功

recession

GUILT

ion from the eighteenth century to today. In shifting focus to the agency of the reader and taking a long historical view, the collection brings a new perspective to the field of historical representation.978-1-349-34453-6978-1-137-29154-7

增強

執(zhí)

散布

Temporal Systems in Representations of the Past: Distance, Freedom and Irony in Historical Fiction,. A concept sometimes invoked is the idea of ‘distance’ — a spatial metaphor that names the conceptual separation between past and present assumed to be a precondition of historical understanding. Disciplinary history, the argument goes, depends on respecting the distance between the current-day res

廢除

,‘All Histories Are Against You?’: Family History, Domestic History and the Feminine Past in , and , many the key to understanding Jane Austen’s particular view of history. Most critics contend that Anne Elliot is voicing the view of the mature Austen, an author at the height of her powers, well placed to defend feminine modes of narration. Reading Anne Elliot’s statements as Austen’s views usuall