Titlebook: Re-Imagining Creative Cities in Twenty-First Century Asia; Xin Gu,Michael Kho Lim,Justin O’Connor Book 2020 The Editor(s) (if applicable)

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Introduction: Re-Imagining Creative Cities in Twenty-First Century Asia,ative Cities discourse and the knowledge gap in processing and registering experiences in Asian cities. It then outlines the four main entry points to the study on this topic: civic society’s resistance to the ideas of top-down approaches and neoliberal development of creative cities in Asia; the re

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Rethinking Creative Cities?: UNESCO, Sustainability, and Making Urban Culturescultural development. Frequently, these programmes are strongly focused on city imaging, place marketing, and cultural tourism. From a consideration of recent statements and initiatives of the UNESCO Creative Cities Network (UCCN), the chapter suggests that the decision to affiliate the UCCN directl

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‘Crisis of Values’ in Rhetorical Architecture: Creative Cities Discourse and the Urban Landscapes ofand creative industries. It has since then garnered followers among elite circles for its celebratory promise of GDP contribution and job-creation, but has also drawn critique as a ‘mobilizing discourse’ focused solely on its potential economic advantages. Using the cities of Baguio and Manila as ca

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From Foreign Community to Creative Town? Creativity and Contestation in Itaewon, Seoulfication remind us of different historical-cultural factors as well as economic drivers in the development of creative districts. Hyunjoon challenges the ‘creative class’ as a unified concept along class lines. He observes that the varied alignment of economic and cultural interests within the creat

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