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Titlebook: Raymond Chandler, Romantic Ideology, and the Cultural Politics of Chivalry; Anthony Dean Rizzuto Book 2021 The Author(s), under exclusive

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發(fā)表于 2025-3-21 16:52:05 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Raymond Chandler, Romantic Ideology, and the Cultural Politics of Chivalry
編輯Anthony Dean Rizzuto
視頻videohttp://file.papertrans.cn/822/821681/821681.mp4
概述Considers the character Philip Marlowe in light of current discussions in race, sexuality, and feminist studies.Provides a cultural history of the critical and memetic reception of Marlowe.Incorporate
圖書封面Titlebook: Raymond Chandler, Romantic Ideology, and the Cultural Politics of Chivalry;  Anthony Dean Rizzuto Book 2021 The Author(s), under exclusive
描述.Raymond Chandler, Romantic Ideology, and the Cultural Politics of Chivalry. responds to the general consensus that Philip Marlowe represents a chivalric knight out of romance. The book argues that this commonplace reading requires a stunningly rosy rewriting of Marlowe, knighthood, chivalry, .and .romance. The book offers a history of the cultural politics of chivalry from the Middle Ages through British Romanticism to the modern United States, exposing the elitism, violent masculinism, racism, and ethno-national othering harbored within. Rizzuto also considers the survival of the chivalric ideology after World War I, and argues that the narrative of the Great War destroying chivalry rewrites the ghastly history of warfare. Touching on Chandler throughout these cultural histories, the book then directly confronts the question of knighthood and romance in the Marlowe novels. Rizzuto identifies an explicit rejection of romance in the service of hardboiled gender, class, and genre norms, including a seldom-remarked pattern of violence against women and sexual assault. The volume concludes by offering some ideas about Chandler’s motivations and the reception of the Marlowe novels..
出版日期Book 2021
關(guān)鍵詞Crime Fiction; Race and Ethnicity; feminism; Research on Racism, Anti-Semitism and Extremism; chivalric
版次1
doihttps://doi.org/10.1007/978-3-030-88371-3
isbn_ebook978-3-030-88371-3
copyrightThe Author(s), under exclusive license to Springer Nature Switzerland AG 2021
The information of publication is updating

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Conclusion: The Mean Streets of the Dialectic,dialectical relationship between the genres of hardboiled and romance. I speculate about what might have led the author to experiment with such polyvocal play; consider other examples of such dialogism in literary history; and make some inferences about the reception that has ordained Philip Marlowe as a species of “knight.”
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of the critical and memetic reception of Marlowe.Incorporate.Raymond Chandler, Romantic Ideology, and the Cultural Politics of Chivalry. responds to the general consensus that Philip Marlowe represents a chivalric knight out of romance. The book argues that this commonplace reading requires a stunni
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