Titlebook: Radio Drama; Ian Rodger Textbook 1982Latest edition Macmillan Publishers Limited 1982 drama.film and television.radio drama

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Conclusions,onsiderable extent predetermine its method. This is especially true of drama, which must depend for success upon an immediate rapport with its audience. The audiences which attended the Greek classic theatre, the Elizabethan theatre, the French salon theatre of the eighteenth century, the Dublin the

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National Responses to Radio,s attention so far paid to the artistic contribution which radio has inspired is perhaps understandable. Because its aesthetic exploitation has varied considerably from country to country, the interest of serious literary and drama critics has been deflected and seems to have encouraged the belief t

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The Revolution in Diction,t writers wishing to depict Durham miners or unemployed dockers in Liverpool should represent their idiom and dialect with some accuracy and understanding and that actors should perform such speech with insight and respect.

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The Influence of Features,en introduced during the war by Alan Melville as a propaganda vehicle on the BBC’s Overseas Service. ., which was the inspiration of Jonquil Anthony and Ted Willis, had the objective of mirroring the provincial life of the middle class while Godfrey Baseley’s . was to give townsmen a whiff of life o

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The Discovery of Silence, possible to take the equivalent of the camera shot of ordinary conversation, conducted by people who were no longer being made self-conscious by the presence of the machine, the nature of speech and of its silences was at last revealed.

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