Titlebook: Racism and Early Blackface Comic Traditions; From the Old World t Robert Hornback Book 2018 The Editor(s) (if applicable) and The Author(s)

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adipose-tissue

ch als grobes Ma? für die Quantifizierung von Abh?ngigkeiten zwischen diesen verschiedenen Aspekten bew?hrt. Er tritt auch auf, wenn man den zweiten Aspekt m?glichst gut durch eine lineare Funktion des ersten Aspekts, also durch eine Regressionsgerade, approximieren m?chte.

牽連

Toxoid-Vaccines

Harlequin as Theatergram: Transmitting the Timeworn Black Mask, Ancient to Antebellum,“Hellequine.” Far from being the product of any singular unbroken lineage, then, Harlequin was a cultural palimpsest of closely related tropes. He was portrayed as African by the first known Harlequin touring Europe from 1584 to 1621 and late seventeenth-century illustrations of “Dominique” Biancole

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兇兆

自由職業(yè)者

,Shakespeare in Blackface: Black Shakespeareans versus Minstrel Burlesques, 1821–1844, or Othello veracist strategies uncovered in previous chapters. Yet, the contrast between “white-washed,” light-complexioned Othellos in serious drama, a more stereotypically “black” Othello in minstrel parodies, and the African Theatre’s employment of Othello’s eloquence as an assertion that, as its abolitionist

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滔滔不絕的人

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