Titlebook: Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre; Shannon Steen Book 2010 Palgrave Macmillan, a division of Mac

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Passing Between Nations: Racial Impersonation and Transnational Affiliation,on and its relationship to American national self-conception. In the scholarship of the last 15 years or so on the racial dynamics of blackface, there has been a curious lack of attention to other forms of racial impersonation.. Instead, there has been a casual assumption that yellowface, brownface,

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,Melancholy Bodies: Eugene O’Neill, Imperial Critique, and Irish Assimilation,take.. Rather than being riven by a single color line, the new century would prove to be fractured by multiple lines: some of race, some of color, some using criteria other than color. All retroactively hued their objects of categorization in order to naturalize racial formation inside the United St

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The Geometries of Swing: A Black Pacific and ,ion, and confronted by the specter of German fascism, Japanese imperial expansion, domestic isolationist pressures, and the racial inequities of Jim Crow. A spin-off of the enormously successful . (1938) staged by the Federal Theatre Project (FTP) with a black cast the previous year (Figure 5.2), To

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,Melancholy Bodies: Eugene O’Neill, Imperial Critique, and Irish Assimilation,e using criteria other than color. All retroactively hued their objects of categorization in order to naturalize racial formation inside the United States and out. The story of the Irish in America comprises an important chapter in the larger narrative of how those disparate lines of color and race interacted..