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Titlebook: Race, Class, and Gender in "Medieval" Cinema; Lynn T. Ramey,Tison Pugh Book 2007 Palgrave Macmillan, a division of Nature America Inc. 200

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發(fā)表于 2025-3-21 17:10:46 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Race, Class, and Gender in "Medieval" Cinema
編輯Lynn T. Ramey,Tison Pugh
視頻videohttp://file.papertrans.cn/821/820296/820296.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Race, Class, and Gender in
描述The medieval film genre is not, in general, concerned with constructing a historically accurate past, but much analysis nonetheless centers on highlighting anachronisms. This book aims to help scholars and aficionados of medieval film think about how the re-creation of an often mythical past performs important cultural work for modern directors and viewers. The essays in this collection demonstrate that directors intentionally insert modern preoccupations into a setting that would normally be considered incompatible with these concepts. The Middle Ages provide an imaginary space far enough removed from the present day to explore modern preoccupations with human identity.
出版日期Book 2007
關鍵詞cinema; crusades; film; France; history; kingdom; Middle Ages; Romanticism
版次1
doihttps://doi.org/10.1057/9780230603561
isbn_softcover978-1-349-53486-9
isbn_ebook978-0-230-60356-1Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2007
The information of publication is updating

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Reversing the Crusades: Hegemony, Orientalism, and Film Language in Youssef Chahine’s onal . turns out to be, and how much it resembles in some respects the Hollywood versions of the Crusades that it seeks to answer. I will argue that this impression is in fact a result of the film’s strategy, which is as much to enter into dialogue with Western filmic representations of the Crusades
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