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Titlebook: Questioning French Secularism; Gender Politics and Jennifer A. Selby Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012

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發(fā)表于 2025-3-21 18:46:08 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Questioning French Secularism
副標(biāo)題Gender Politics and
編輯Jennifer A. Selby
視頻videohttp://file.papertrans.cn/782/781818/781818.mp4
叢書名稱Contemporary Anthropology of Religion
圖書封面Titlebook: Questioning French Secularism; Gender Politics and  Jennifer A. Selby Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012
描述Based on extensive ethnographic fieldwork, this book examines how contemporary secularism in France is positioned as a guarantor of women’s rights. Selby argues that the complex “fetishization” of headscarves in public, governmental, and feminist French discourse positions publicly-visible Muslim women in ways that obscure their engagement with la?cité (French secularism).
出版日期Book 2012
關(guān)鍵詞Islam; law; religion; suburban; cultural studies; secular
版次1
doihttps://doi.org/10.1007/978-1-137-01132-9
isbn_softcover978-1-349-58540-3
isbn_ebook978-1-137-01132-9Series ISSN 2946-3475 Series E-ISSN 2946-3483
issn_series 2946-3475
copyrightPalgrave Macmillan, a division of Nature America Inc. 2012
The information of publication is updating

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2946-3475 rights. Selby argues that the complex “fetishization” of headscarves in public, governmental, and feminist French discourse positions publicly-visible Muslim women in ways that obscure their engagement with la?cité (French secularism).978-1-349-58540-3978-1-137-01132-9Series ISSN 2946-3475 Series E-
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Setting the Scene: Place and Method,es, circling animatedly around a group of mostly Muslim women of North African origin.. Twenty or so women are seated in orange stackable plastic chairs at tables arranged in a half circle in the basement of a community center outside of Paris. The room is poorly heated; most women wear their winter
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,“Hardly Paradise”: From Shantytown to Housing Projects,’s history parallels other Parisian . and changes in its landscape, from fields—captured by Claude Monet’s “Poppy Fields at Argenteuil” in 1873—to a post–First World War shantytown, to housing projects in the 1960s, and to riots and active community organizations in the 2000s. These transformations
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