Titlebook: Queering Transcultural Encounters; Bodies, Image, and F Luis Navarro-Ayala Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Q

ENNUI

Luis Navarro-Ayalalf.?Situated at the interaction of literary studies, environmental studies, and science studies, .Early Anthropocene Literature inBritain.?tells the story of how writers heralded, and wrestled with, Britain’s role in sparking the now-familiar “epoch of humans.”.978-3-030-53248-2978-3-030-53246-8Series ISSN 2946-3157 Series E-ISSN 2946-3165

原諒

Irksome

小教堂

A Tango Performance: Inverts and Flowers in the , in Buenos Airest only how the Argentinean author appears doubly anxious about the question of membership, but how the nation is defined in terms of its outside. He analyzes the trope about the exclusion of the Other to explain how effeminate male figures or inverts are expelled from the nationalist agenda in the play ..

RAFF

Travels in North Africa: Orientalism or Frenchness?possible to trace their potential resistance to exploitation in such cross-cultural encounters. After a brief overview of sexual tourism in the French literary tradition, he therefore examines how Moroccan writers represent homosexual tourism in Morocco through the viewpoint of these young characters.

行業(yè)

引起痛苦

Book 2019dies, Luis Navarro-Ayala examines the transnational queer body as a physical and symbolic entity intrinsically connected with space. Through a transcultural and intersectional approach to bodily representations, socioeconomic conditions, and postcolonial politics, Navarro-Ayala analyzes queerness an

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Introduction: Theorizing Transcultural Queer Bodies and Their Appropriation of Frenchness,in order to further the discussion about bodily image, sexuality, masculinity, marginality, ethnicity, and class within the discipline of queer studies, paying particular attention to the ways in which these sociological factors are associated with France in different cultural contexts.

保全

Frenchness: Boundary Figures and Figuring Boundaries in Alfonso Hernández-Catá’s pace for othered bodies or marginalized sexualities in this Ibero-American nation, Navarro-Ayala’s argument refers to the dangerous contact with the Other, particularly the French, as homosexually threatening.

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Rachid O.’s Homosexual Awakening: The Allegorical Representation of the Blond-Haired, Blue-Eyed Frenitate homosexual awakening, as the young protagonist materializes his homosexual fantasy with boys of his own age and develops homosexual agency by skillfully manipulating his internalization of the cultural contexts around him.