找回密碼
 To register

QQ登錄

只需一步,快速開(kāi)始

掃一掃,訪問(wèn)微社區(qū)

打印 上一主題 下一主題

Titlebook: Queer/Adaptation; A Collection of Crit Pamela Demory Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive license to

[復(fù)制鏈接]
樓主: 存貨清單
11#
發(fā)表于 2025-3-23 12:01:18 | 只看該作者
Transnational Slash: Korean Drama Formats, Boys’ Love Fanfic, and the Place of Queerness in East AsiLessard makes the case that queer cultural forms and online fandoms should be seen as a driving force in East Asian media flows. Focusing on the queer-themed Korean drama, . and its subsequent formatting for Japanese and Taiwanese markets, Lessard traces the transnational, queer circuitries of adapt
12#
發(fā)表于 2025-3-23 15:15:29 | 只看該作者
Queer Many Ways: Ulrike Ottinger’s , (1984), combines Oscar Wilde’s . with the three . films of 1922, 1933, and 1960 (director Fritz Lang) and makes references to even more texts and histories. It includes multiple approaches to queer adaptation: it queers straight texts, reaches out to a queer viewer, expresses queer sensibilities and exper
13#
發(fā)表于 2025-3-23 19:16:45 | 只看該作者
14#
發(fā)表于 2025-3-24 01:29:19 | 只看該作者
15#
發(fā)表于 2025-3-24 03:23:31 | 只看該作者
16#
發(fā)表于 2025-3-24 08:38:10 | 只看該作者
Willful Infidelities: Camping revolution as camp was emerging as a more visible and pervasive representational trend. The first is Radley Metzger’s . 2000 (1969), a film that helped secure Metzger’s reputation as an auteur of “highbrow” erotica for mixed-sex audiences. The second is the Ridiculous Theatrical Company’s . (1973) b
17#
發(fā)表于 2025-3-24 12:12:58 | 只看該作者
18#
發(fā)表于 2025-3-24 15:24:37 | 只看該作者
19#
發(fā)表于 2025-3-24 22:47:57 | 只看該作者
The Queer Aesthetics of Tom Ford’s Film Adaptations: , and s cinematic grammar to create films that underscore both emotional connection and alienation—a queer aesthetic. Ford’s fascination with classic Hollywood cinema and his artistic sense as a queer filmmaker allow him to involve his audience in stories that speak to queer sensibilities but make them relevant to the general spectator.
20#
發(fā)表于 2025-3-25 01:38:57 | 只看該作者
Adaptation, and Queer Timeonstruction of time and space, its resistance to—and revision of—conventional narrative patterns. The analysis also suggests a strategy for approaching other adaptations—not as a contest between two competing works to see which one is more authentic, but as a collaboration among artists, readers, commentators, spectators.
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛(ài)論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點(diǎn)評(píng) 投稿經(jīng)驗(yàn)總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國(guó)際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-5 12:50
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
镇安县| 元朗区| 桃园市| 赤峰市| 丹巴县| 玛多县| 哈巴河县| 洛浦县| 延边| 咸宁市| 洛南县| 盘山县| 陇川县| 平乡县| 峨眉山市| 资溪县| 武乡县| 衡阳市| 景德镇市| 凤城市| 北碚区| 广昌县| 临沂市| 锡林浩特市| 赣州市| 隆子县| 大连市| 黑山县| 南汇区| 贺州市| 安国市| 突泉县| 商河县| 定日县| 汉中市| 马鞍山市| 洪江市| 阿坝| 邯郸县| 丰宁| 新和县|