Titlebook: Queer Voices; Technologies, Vocali Freya Jarman-Ivens Book 2011 Freya Jarman-Ivens 2011 argue.Freud.identification.music.play.thinking.voic

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Book 2011This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud‘s unheimlich), and that this may invite or guard against identification by the listener.

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978-1-349-29018-5Freya Jarman-Ivens 2011

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2945-7491 entification. The central thesis is that the voice in popular music is potentially uncanny (Freud‘s unheimlich), and that this may invite or guard against identification by the listener.978-1-349-29018-5978-0-230-11955-0Series ISSN 2945-7491 Series E-ISSN 2945-7505

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2945-7491 entification. The central thesis is that the voice in popular music is potentially uncanny (Freud‘s unheimlich), and that this may invite or guard against identification by the listener.978-1-349-29018-5978-0-230-11955-0Series ISSN 2945-7491 Series E-ISSN 2945-7505

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Identification: We Go to the Opera to Eat Voice,d celebrities would appear in sketches and songs as topical commentaries that were both brilliant and absurd. (Indeed, their absurdities were part of their brilliance, I think.) The puppets were voiced by impressionists of the day, some of whom had independent careers and others for whom . was a sta