Titlebook: Queer Girls, Temporality and Screen Media; Not ‘Just a Phase’ Whitney Monaghan Book 2016 The Editor(s) (if applicable) and The Author(s) 20

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Whitney Monaghanxtradehnungen im Innern sowie durch Kr?ftebelegungen und Verschiebungen an der Oberfl?che bestimmt sind. Die Feldgr??en eines so definierten elastischen Zustandes konnten mit Hilfe der Eingrenzungsformel (5.1.15) punktweise abgesch?tzt werden. Im vorliegenden Paragraphen werden homogene Probleme der

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Book 2016featured one of TV’s first queer teen storylines. Contained to a single episode, it was promptly forgotten within both the series and popular culture more generally. Cut to 2016 – queer girls are now major characters in films and television series around the globe. No longer represented as subsidiar

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Beyond Girlhood,ss and futurity are rendered incongruous. With girls’ queer experiences, feelings and intimacies typically represented only within a liminal moment of youth, the figure of the queer girl has thus come to embody the structuring logics of heteronormative temporality.

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Just a Phase,of queer life was overly simplified. My real life, in comparison, seemed consistently incongruous with these films or television shows. Simply put, my coming-out story was, to me, a disappointing and banal tale.

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On Boredom, Love and the Queer Girl: ,, ,,gy, she spends her time aimlessly rolling down hills on a motorbike with no motor, dust swirling around her feet as she drags them along the ground. This film opens with a shot of Mona alone in a shadowy bedroom, drawing on the wall in dark pencil.

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