Titlebook: Quantenmechanik und Weimarer Republik; Karl Meyenn Book 1994 Friedr. Vieweg & Sohn Verlagsgesellschaft mbH, Braunschweig/Wiesbaden 1994 Ge

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清澈

長(zhǎng)矛

Paul Formanare, Spenser, Drayton, and others offer us women in a landscape bewailing their woes, their mournful cries resounding from the rocks and hills and producing the “double voice” that is so inscrutable to the male auditor. Critical discussion of Echo tends to focus on her deceptiveness, distortions, an

arousal

嚴(yán)峻考驗(yàn)

John Hendrys are studied across the volume: women writers whose texts aThis collection examines early modern women’s contribution to the culturally central mode of complaint. Complaint has largely been understood as male-authored, yet, as this collection shows, early modern women used complaint across a surpri

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Max Planckand elegance. The topic is approached by looking at works by two women writers who are not usually discussed in tandem: Margaret Cavendish, Duchess of Newcastle, and Anna Maria van Schurman. The author concentrates on Cavendish’s play The Female Academy and Van Schurman’s Dissertatio Logica, examini