| 書目名稱 | Performing Artists and Precarity | | 副標(biāo)題 | Work in the Contempo | | 編輯 | Philip Hancock,Melissa Tyler | | 視頻video | http://file.papertrans.cn/765/764437/764437.mp4 | | 概述 | This book is open access, which means that you have free and unlimited access.Offers an in-depth focus on the different kinds of precarity experienced by cultural and creative workers.Uses survey and | | 圖書封面 |  | | 描述 | .This open access book focuses on the distinctive experiences of freelance and self-employed live performers in the UK’s live entertainment industries It provides an in-depth account of their working lives during COVID-19, showing how their experiences of the pandemic provide insight into the different types of precarity shaping what it means to be a live performer...A growing body of academic research has focused on the meaning, experience, and nature of precarity for those working in the cultural and creative sector, highlighting the problem of socio-economic precarity. This book demonstrates how a constant struggle for recognition also shapes the contours and lived experiences of live performance work. It emphasizes how, combined with affective and socio-economic forms of precarity, this recognitive precarity creates a distinctive and challenging set of working conditions...Drawing on original data generated through a national survey of self-employed and freelance performers across the live entertainment industries, combined with insights derived from a series of in-depth semi-structured interviews, this book presents an empirically rich insight into the struggles and opportunit | | 出版日期 | Book‘‘‘‘‘‘‘‘ 2025 | | 關(guān)鍵詞 | Open Access; Open Access; creative workforce; crisis management; self-employment; covid-19; pandemic; lockd | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-031-66119-8 | | isbn_softcover | 978-3-031-66121-1 | | isbn_ebook | 978-3-031-66119-8 | | copyright | The Editor(s) (if applicable) and The Author(s) 2025 |
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