| 書目名稱 | Possibility of the Aesthetic Experience | | 編輯 | Michael H. Mitias | | 視頻video | http://file.papertrans.cn/752/751937/751937.mp4 | | 叢書名稱 | Martinus Nijhoff Philosophy Library | | 圖書封面 |  | | 描述 | The majority of aestheticians have focused their attention during the past three decades on the identity, or essential nature, of art: can ‘a(chǎn)rt‘ be defined? What makes an object a work of art? Under what conditions can we characterize in a classificatory sense an object as an art work? The debate, and at times controversy, over these questions proved to be constructive, intellectually stimulating, and in many cases suggestive of new ideas. I hope this debate continues in its momentum and creative outcome. The time is, however, ripe to direct our attention to another important, yet neglected, concept - viz. , ‘a(chǎn)esthetic experience‘ - which occupies a prominent place in the philosohpy of art. We do not only create art; we also enjoy, i. e. , experience, and evaluate it. How can we theorize about the nature of art in general and the art work in particular, and about what makes an object a good work of art, if we do not experience it? For example, how can we identify an object as an art work and distinguish it from other types of objects unless we first perceive it, that is in a critical, educated manner? Again, how can we judge a work as good, elegant, melodramatic, or beautiful unles | | 出版日期 | Book 1986 | | 關(guān)鍵詞 | John Dewey; aesthetics; art; aspect; concept; drama; experience; identity; majority; nature; object; reason; tim | | 版次 | 1 | | doi | https://doi.org/10.1007/978-94-009-4372-8 | | isbn_softcover | 978-94-010-8443-7 | | isbn_ebook | 978-94-009-4372-8Series ISSN 0168-5090 | | issn_series | 0168-5090 | | copyright | Martinus Nijhoff Publishers, Dordrecht 1986 |
The information of publication is updating
|
|
|Archiver|手機(jī)版|小黑屋|
派博傳思國(guó)際
( 京公網(wǎng)安備110108008328)
GMT+8, 2025-10-6 04:07
發(fā)表于 2025-3-21 16:15:29
