| 書目名稱 | Popular Music, Critique and Manic Street Preachers | | 編輯 | Mathijs Peters | | 視頻video | http://file.papertrans.cn/752/751501/751501.mp4 | | 概述 | Provides an original philosophical examination of popular music.Uses the philosophy of Adorno to show that Manic Street Preachers releases shape ‘critical models’ with which to formulate social and po | | 圖書封面 |  | | 描述 | .?This book explores the ways in which popular music can criticise political, social and economic structures, through the lens of alternate rock band Manic Street Preachers.?Unlike most recent work on popular music, Peters concentrates largely on lyrical content to defend the provocative claim that the Welsh band pushes the critical message shaped in their lyrics to the forefront. Their music, this suggests, along with sleeve art, body-art, video-clips, clothes, interviews and performances, serves to emphasise this critical message and the primary role played by the band’s lyrics. ..Blending the disciplines of popular music studies, culture studies and philosophy, Peters confronts the ideas of German philosopher and social critic Theodor W. Adorno with the entire catalogue of Manic Street Preachers, from their 1988 single ‘Suicide Alley’ to their 2018 album .Resistance is Futile.. Although Adorno argues that popular music is unable to resist the standardising machinery of consumption culture, Peters paradoxically uses his ideas to show that Manic Street Preachers releases shape ‘critical models’ with which to formulate social and political critique. ..This notion of the ‘critical m | | 出版日期 | Book 2020 | | 關(guān)鍵詞 | semiotic; symbolic; modernity; postmodernism; popular modernism; Adorno; avant-gardes; popular music; Manic | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-43100-6 | | isbn_softcover | 978-3-030-43102-0 | | isbn_ebook | 978-3-030-43100-6 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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