Titlebook: Politics, Art and Commitment in the East European Cinema; David W. Paul (freelance writer, faculty) Book 1983 David W. Paul 1983 cinema.Eu

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Overview: 978-1-349-06736-7978-1-349-06734-3

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Introductionn unresolvable controversy. On the other hand, it would not be difficult to find agreement on who the frontrunners for such an honour would be. In any list of candidates, several names would be likely to appear: Du?an Makavejev, discussed in the preceding chapter, Andrzej Wajda, Mikls Jancsó and Milos Forman.

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Andrzej Wajda’s Vision of One Country’s Past and Presentf Polish society. Or perhaps the phrase ‘social and cultural dilemmas’ has too pretentious a ring. Would it not be less high-flown to seek in Wajda’s films a reflection of a certain country and its life, concerns and dramas?

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Toward an East European Cinemarxism?I believe in the avoidance of neologisms, and it embarrasses me (if only momentarily) to announce my subject with a made-up term that is also a pun. A new word is so often lacking in authenticity and complexity of references to antecedent reality and thinking; and puns, well …