Titlebook: Politics and Sentiments in Risorgimento Italy; Melodrama and the Na Carlotta Sorba Book 2021 The Editor(s) (if applicable) and The Author(s

FOR

Politics and the Language of Sentiment,odramatic register, so useful for involving, moving and exciting the public, returned to the foreground. The conclusions of the book, which has sought to scan the origins of the melodramatic as strongly linked to the political struggles for indipendence, point to its extreme persistence in Italian politics.

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,Introduction: Emotions, Politics, Entertainment—A Nineteenth-Century Transnational Plot,iolence runs through the discourses and narratives of the .. The chapter explains that in order to understand and interpret the reasons for this, different dimensions of analysis need to interact with each other: the establishment in the eighteenth-century of a culture of sensitivity; the developmen

黃瓜

燈泡

A Theatrical Genre for Post-Revolutionary Society, origin, at once philosophical and commercial, and its early developments in France, framing them in post-revolutionary society and culture. In the early years of the century, a veritable melodramatic industry, standardised and audience-oriented, produced hundreds of shows with very similar devices.

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Politics and the Language of Sentiment,chapter shows how the dissipating patriotic unanimity and ever clearer articulation of the opposition between moderates and democrats brought with it a general distance from the earlier accentuated symbolism and staging. The melodramatic . left the terrain of political mobilisation, but after the un

SAGE