Titlebook: Political Fiction and the Historical Imagination; Lee Horsley Book 1990 Lee Horsley 1990 America.argue.fiction.history.history of literatu

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Jumping Overboard: Lawrence, ,, and the Retreat from Historyversations and correspondence, for having fundamentally opposed conceptions of historical understanding. Relying as he did on the romantic intuitions of the irrational spirit, Lawrence berated Russell for being a savant, a ‘mechanical instrument’, whose very methods of analysis made him a cautious c

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Jumping Overboard: Lawrence, ,, and the Retreat from Historya doctrine which held that ‘facts’ are of no account in comparison with ‘truths’, and was exasperated beyond bearing by the ‘dream-like’, impractical quality of Lawrence’s responses to contemporary history: ‘He never let himself bump into reality.’

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Tragic Knowledge and ‘the Earned Redemption’: The History Lesson of ature’, between scepticism and faith, fact and idea. Writing novels was, for Conrad, a ‘way of knowing’, an exploration of these basic ‘discrepancies’ which characterise the human condition, and which define for us ‘two Conrads’, one racked by pessimism, the other hopeful of regeneration.

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