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Titlebook: Political Dandyism in Literature and Art; Genealogy of a Parad Geertjan de Vugt Book 2018 The Editor(s) (if applicable) and The Author(s) 2

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樓主: Adams
11#
發(fā)表于 2025-3-23 09:59:44 | 只看該作者
Conclusion,lized. Still, there is a more general lesson to be drawn from the politics of the political dandy. Despite all the ruminations over politics as a form of rational and verbal deliberation, it is and always will be, first and foremost, a matter of the senses.
12#
發(fā)表于 2025-3-23 15:24:26 | 只看該作者
13#
發(fā)表于 2025-3-23 21:04:11 | 只看該作者
Introduction,ical imagination? Could it be that over the past two centuries an entirely new political paradigm emerged around the figure of the dandy? To answer these questions, it is necessary to reconstruct the genealogy of this paradigm.
14#
發(fā)表于 2025-3-23 22:23:11 | 只看該作者
15#
發(fā)表于 2025-3-24 06:00:05 | 只看該作者
16#
發(fā)表于 2025-3-24 06:54:12 | 只看該作者
17#
發(fā)表于 2025-3-24 12:30:41 | 只看該作者
,,of his treatises to this figure. Charles Baudelaire’s . is a quintessential text for understanding modernity. This treatise is set up around a strong antagonism of harmony on the one hand and everything that threatens this harmony, such as noise, triviality, anarchy, ., on the other. Following this
18#
發(fā)表于 2025-3-24 17:29:32 | 只看該作者
19#
發(fā)表于 2025-3-24 19:56:34 | 只看該作者
Of Dandies Dying,se every time the dandy could begin fulfilling what was once promised, he immediately comes to face the absolute limit: death. No artist has grasped the significance of this limit within the history of dandyism better than the Swedish painter Nils Dardel. In his painting ., from 1918, the dandy is d
20#
發(fā)表于 2025-3-24 23:57:20 | 只看該作者
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