| 書目名稱 | Philosophy in Stan Brakhage‘s Dog Star Man | | 副標(biāo)題 | World, Metaphor, Int | | 編輯 | Alberto Baracco | | 視頻video | http://file.papertrans.cn/747/746197/746197.mp4 | | 概述 | Engages with the relationship between film and philosophy.Focuses in detail on Stan Brahkage‘s "Dog Star Man" (1962).Proposes an innovative approach to the interpretation of experimental cinema | | 圖書封面 |  | | 描述 | .This book shows how a masterpiece of experimental cinema can be interpreted through hermeneutics of the film world. As an application of Ric?urian methodology to a non-narrative film, the book calls into question the fundamental concept of the film world. Firmly rooted within the context of experimental cinema, Stan Brakhage’s .Dog Star Man. was not created on the basis of a narrative structure and representation of characters, places and events, but on very different presuppositions. The techniques with which Brakhage worked on celluloid and used frames as canvases, as well as his choice to make the film without dialogue and sound, exhort the interpreter to directly question the philosophical language of moving images.. | | 出版日期 | Book 2019 | | 關(guān)鍵詞 | philosophy of film; Stan Brakhage; Paul Ricouer; experimental cinema; film studies | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-12426-7 | | isbn_ebook | 978-3-030-12426-7 | | copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
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