| 書目名稱 | Patterns of Intuition | | 副標(biāo)題 | Musical Creativity i | | 編輯 | Gerhard Nierhaus | | 視頻video | http://file.papertrans.cn/743/742732/742732.mp4 | | 概述 | Provides new insights into musical intuition and its possible formalization.Demonstrates which algorithms and paradigms of algorithmic composition are suitable for applications in contemporary composi | | 圖書封面 |  | | 描述 | .The present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented through a dialogic .and. cyclic process of modelling and evaluating musical materials. The aesthetic premises and compositional approaches configure a rich spectrum of diverse positions, which is reflected also in the kinds of approaches and methods used. These approaches and methods include the generation and evaluation of chord sequences using genetic algorithms, the application of morphing strategies to research harmonic transformations, an automatic classification of personal preferences via machine learning, and an application of mathematical music theory to the analysis and resynthesis of musical material. The second part of the book features contributions by Sandeep Bhagwati, William Brooks, David Cope, Darla Crispin, Nicolas Donin, and Guerino Mazzola. These authors variously consider the project from different perspectives, offer independent approaches, or provide more general reflections from their respective research fields | | 出版日期 | Book 2015 | | 關(guān)鍵詞 | Algorithmic Composition; Algorithmic Modelling; Algorithmic Processes Applied Compositions; Artificial | | 版次 | 1 | | doi | https://doi.org/10.1007/978-94-017-9561-6 | | isbn_softcover | 978-94-024-0092-2 | | isbn_ebook | 978-94-017-9561-6 | | copyright | Springer Science+Business Media Dordrecht 2015 |
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