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Titlebook: Oxygen Transport to Tissue XXXII; Joseph C. LaManna,Michelle A. Puchowicz,Duane F. B Conference proceedings 2011 The Editor(s) (if applica

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發(fā)表于 2025-3-28 17:43:02 | 只看該作者
Ilias Tachtsidis,Martin M. Tisdall,Caroline Pritchard,Terence S. Leung,Arnab Ghosh,Clare E. Elwell,Ms as a foundation for understanding the complexities and dynamics of microgrid systems. It aims to offer a preliminary guide to researchers and practitioners in the field of power system management, particularly those interested in renewable energy integration and microgrid optimization.
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發(fā)表于 2025-3-28 20:55:55 | 只看該作者
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發(fā)表于 2025-3-28 23:16:48 | 只看該作者
Ramasamy P. Pandian,Simi M. Chacko,M. Lakshmi Kuppusamy,Brian K. Rivera,Periannan Kuppusamy these labels should be studied as both political and cultural phenomena. Finally, this introduction also contextualises the use of art throughout the volume, suggesting that works of art may be understood as a new means through which terror and violence can be remembered, imagined, and commemorated
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發(fā)表于 2025-3-29 04:31:22 | 只看該作者
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發(fā)表于 2025-3-29 09:09:16 | 只看該作者
Sundeep Patel,Takusige Katura,Atsushi Maki,Ilias Tachtsidis theory also assumes two losses in the psychic process of mourning: loss of the love object, but also the sacrificial loss of a piece of oneself in order to separate oneself from the dead person. Psychoanalysis can therefore help to understand the function of this double loss in relation to the unco
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發(fā)表于 2025-3-29 14:25:55 | 只看該作者
David F. Wilson,Olga S. Finikova,Artem Y. Lebedev,Sophia Apreleva,Anna Pastuszko,William M. F. Lee,Snscribing actors with a particular status and proposing particular security practices. The chapter concludes with a reflection on counter-memories and their potential to disrupt official discourses and create alternative memories that enable social change.
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發(fā)表于 2025-3-30 03:04:48 | 只看該作者
Zrinka Abramovic,Huagang Hou,Kristl Julijana,Marjeta Sentjurc,Jean P. Lariviere,Harold M. Swartz,Nad these labels should be studied as both political and cultural phenomena. Finally, this introduction also contextualises the use of art throughout the volume, suggesting that works of art may be understood as a new means through which terror and violence can be remembered, imagined, and commemorated
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