Titlebook: Other Globes; Past and Peripheral Simon Ferdinand,Irene Villaescusa-Illán,Esther Pee Book 2019 The Editor(s) (if applicable) and The Autho

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,Ethnoplanetarity: Contemporaneity and Scale in Patricio Guzmán’s , and ,lence in Chile—to instantiate a novel cultural paradigm of “ethnoplanetarity” that critically interrogates, and ultimately seeks to “overwrite” (Gayatri Spivak), the narrow parameters of a discourse of the globe.

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,Planetary Lovers: On Annie Sprinkle and Beth Stephens’s ,r Earth, they rely on the notion of partnership between humans and the planet. The chapter concludes with an exploration of a different notion of care that takes alterity, rather than reciprocity, as its point of departure.

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,A World in Miniatures: Judith Schalansky’s , a narrative progression in time and space. These thematic and formal properties enable the text to construct a world-knowledge that presents readers with an alternative to extant globalization narratives insofar as it resists their drive toward a comprehension of the planet in terms of completeness, homogenization, abstraction, and totalization.

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2730-9282 the globe, and the planet.Analyzes global imaginations from.This volume challenges dominant imaginations of globalization by highlighting alternative visions of the globe, world, earth, or planet that abound in cultural, social, and political practice. In the contemporary context of intensive globa

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,Being in the Globe: Hieronymus Bosch’s , at the Fringes of Modern Globalism,gainst estranged global overviews, Bosch’s art blocks recourse to place-based dwelling. In his Christian worldview, all earthly existence—whether grasped through individual places or as the whole globe—is spiritually estranged from God.

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Book 2019n cultural, social, and political practice. In the contemporary context of intensive globalization, ruthless geopolitics, and unabated environmental exploitation, these “other globes” offer paths for thinking anew the relations between people, polities, and the planet. Derived from disparate histori

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World-Imagining from Below,ity. Still, I am struck by the ethical appeal of a recurrent trope of ., wherein marginalized subjects situate their own precarious local condition within a broader, transnational context. World-imagining from below, I argue, offers glimpses of a subaltern planetary subjectivity—grittier than the Apollonian view from high above the earth.