Titlebook: Other Capitals of the Nineteenth Century; An Alternative Mappi Richard Hibbitt Book 2017 The Editor(s) (if applicable) and The Author(s), u

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打火石

Crossing the Bridge: Constantinople Crowds and the Cityscape in Nineteenth-Century Traveloguesme and elsewhere, self and other, familiar and unfamiliar, this article uses the analogy of the bridge as a main thread to discuss the place and function of Constantinople as a nineteenth-century capital. Tracing the manifestations of the city’s ambivalence in nineteenth-century travelogues, I aim t

鉆孔

‘Marvellous Melbourne’ : Image of a Colonial Metropoliscities in the British Empire. The author provides an overview of the city’s history and discusses contemporary journalistic and novelistic representations of life in the colony. The primary object of analysis is the image of the city that emerges from these materials. An image of both modernity and

gonioscopy

Deadpan

煩憂

From , to ,: Transfers, Translations and Reconstructions‘reworked and reconstructed’ by two French writers, yet with no mention of their names or the original title. The genesis of the serial is plain to see in its similarity to Vsevolod Krestovsky’s novel . published in Russia between 1864 and 1866. . appears to be a kind of ‘hypertextual’ translation a

同時發(fā)生

(De-)Localising Capital: Lines of Flight from Zola’s ,between commercial, ‘a(chǎn)limentary’ literature and the highbrow work constitutive of cultural capital, suggesting here that entry into the literary field via a recognised highbrow work—a Parisian event—is enabled thanks to the ‘less-valued’ work for the ‘provincial’ readership. This essay also consider

走路左晃右晃

OCTO

Chameleon

The Symbolist Novel as Transnational Capitalatus as a sub-genre, encompassing texts that combine the symbolic capital of poetry with the potential economic capital of prose. The Symbolist novel exemplifies the type of transnational literary form described by Pascale Casanova, spreading quickly from France into Belgium and beyond. Taking André