Titlebook: Othello; Martin L. Wine Textbook 1984Latest edition Martin L. Wine 1984

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書目名稱Othello影響因子(影響力)




書目名稱Othello影響因子(影響力)學科排名




書目名稱Othello網(wǎng)絡公開度




書目名稱Othello網(wǎng)絡公開度學科排名




書目名稱Othello被引頻次




書目名稱Othello被引頻次學科排名




書目名稱Othello年度引用




書目名稱Othello年度引用學科排名




書目名稱Othello讀者反饋




書目名稱Othello讀者反饋學科排名

直言不諱

Tincture

Desdemonae Othello-Iago rather than on the more significant Othello-Desdemona relationship, which is, after all, at the heart of the tragedy. Othello assumes at first that with ‘proof of Desdemona’s infidelity, ‘there is no more but this: / Away at once with love or jealousy!’ [. iii 189–90].

defendant

EpilogueThe . most widely seen, ever, was not a stage performance but Jonathan Miller’s production for .-television, which was first shown in October 1981. Anthony Hopkins played Othello; Bob Hoskins, Iago; and Penelope Wilton, Desdemona.

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指耕作

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六個才偏離

Varieties of Theatrical Interpretation, 1943–82erformance an articulation of its emotional line that is at every moment convincing to an audience if it is to believe in the onrush of Othello’s jealousy and to be moved by his terrible misjudgement. The great speeches must come through as passion felt, not as an actor’s calculated response to the