Titlebook: Oscar Wilde and Contemporary Irish Drama; Learning to be Oscar Graham Price Book 2018 The Editor(s) (if applicable) and The Author(s) 2018

表主動

符合你規(guī)定

Brian Friel: The Liar as Artist,nce of Wilde to Friel’s entire career shall be contended. Rewriting history, art overcoming life, and the power of lying are all Wildean preoccupations that Brian Friel adapts into a canvass upon which ethical art can be created in the contemporary moment in Ireland.

Aerophagia

Thomas Kilroy: Biography but with the Facts Changed,te drama in which life and art are fused and identity and subjectivity are revealed as forms of performance art. Kilroy’s use of historical characters for the purposes of fictional theatre reveals him as a Wildean dramatist who rewrites history because he believes that is the only duty he owes to history.

ANIM

說明

(as opposed to merely his plays).Demonstrates that contemporThis book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of?Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wild

聯(lián)想

Contort

啟發(fā)

Book 2018ution to the concept of a ‘verbal theatre’ has?influenced his dramatic successors. It is of particular pertinence to?academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness..okokpoj.

北極熊

,Introduction: ‘The Future Is What Artists Are’,tance that they have held for future literatures and cultures throughout the world and, as this book shall argue, in Wilde’s native home of Ireland, this debt is very evident but in need of further explication.

farewell