Titlebook: Oral History Off the Record; Toward an Ethnograph Anna Sheftel,Stacey Zembrzycki Book 2013 Anna Sheftel and Stacey Zembrzycki 2013 Christop

調(diào)整

The Vulnerable Listenerlistener assesses the goals of the interview, the potential contribution the interview can make to social and cultural history, the emotional state of the narrator, the interactions between narrator and any other people present, what participants hope for in the narration, the political risks that m

步兵

Listen and Learn: Familiarity and Feeling in the Oral History Interviewo the sharing of personal stories. One of these projects, a five-year oral history endeavor based at Concordia University in Montreal, Canada, titled ., required me, in both interview and interactive theatrical settings, to engage with participants who were often complete strangers to me prior to my

飛鏢

SHOCK

Malleable

宏偉

維持

“If you’d told me you wanted to talk about the ’60s, I wouldn’t have called you back”: Reflections oe argue that a romantic and uncomplicated collective memory of it makes interviews with political activists from this period unreliable. My current research project is about the back-to-the-land movement in the West Kootenays of British Columbia in the 1960s and 1970s. This region, located in the so

Entreaty

The Ethical Murk of Using Testimony in Oral Historical Research in South Africauman rights violations committed during the last 34 years of apartheid rule. While the TRC is rarely viewed as an oral history project, I argue that these testimonies, or public interviews, “count” as oral history; seeing them through this lens enables a richer understanding of the TRC and oral hist

熱心助人

Lipoma