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Titlebook: Onscreen Allusions to Shakespeare; International Films, Alexa Alice Joubin,Victoria Bladen Book 2022 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-28 14:51:15 | 只看該作者
Márta Minierblem are discussed. The control problem is formulated in a distributed way in accordance with the leader–follower consensus paradigm thus avoiding centralized decision-making. The control schemes are robust in the sense that the voltage and frequency restoration of an inverter-based islanded microgr
42#
發(fā)表于 2025-3-28 20:59:39 | 只看該作者
43#
發(fā)表于 2025-3-29 01:35:28 | 只看該作者
sign, and therefore is a key constituent of the creative economy. Focusing on conceptual, cultural and material capital value, this chapter considers the different value forms a textile designer draws upon to create new material forms. Value construction is discussed also in the context of the role
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發(fā)表于 2025-3-29 06:27:49 | 只看該作者
Introduction to Onscreen Allusions to Shakespeare,eare haunt our contemporary culture in a myriad of ways, whether through brief references or sustained intertextual engagements. Analysing Shakespeare’s spectral presence in modern culture, this chapter argues that tattered allusions to Shakespeare circumvent the question of “fidelity,” because they
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發(fā)表于 2025-3-29 10:48:38 | 只看該作者
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發(fā)表于 2025-3-29 13:34:41 | 只看該作者
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發(fā)表于 2025-3-29 16:49:31 | 只看該作者
Othello Surfing: Fragments of Shakespeare in South Africa,rican film . (2011). Set in the townships outside Durban in the late 1980., the film is based on a true story about a group of young men who discover surfing as a means of escape from their material and historical circumstances. While, in one sense, this appropriation subverts the traditional invoca
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