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Titlebook: Online Film Production in China Using Blockchain and Smart Contracts; The Development of C Patrice Poujol Book 2019 The Editor(s) (if appli

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書目名稱Online Film Production in China Using Blockchain and Smart Contracts
副標題The Development of C
編輯Patrice Poujol
視頻videohttp://file.papertrans.cn/702/701534/701534.mp4
概述Proposes solutions including (but not limited to) blockchain and smart contract technologies to create a new financing and production model for digital media.Based on case studies and collected eviden
叢書名稱International Series on Computer, Entertainment and Media Technology
圖書封面Titlebook: Online Film Production in China Using Blockchain and Smart Contracts; The Development of C Patrice Poujol Book 2019 The Editor(s) (if appli
描述This book explores the use of Blockchain and smart contract technologies to develop new ways to finance independent films and digital media worldwide. Using case studies of Alibaba and in-depth, on-set observation of a Sino-US coproduction, as well as research collected from urban China, Hong Kong, Europe, and the USA, .Online Film Production in China Using Blockchain and Smart Contracts.?explores new digital platforms and what this means for the international production of creative works..This research assesses the change in media consciousness from young urban audiences, their emergence as a potential participative and creative community within dis-intermediated, decentralised and distributed crowdfunding and crowdsourcing models. This research proposes solutions on how these young emerging local creative talents can be identified and nurtured early on, particularly those who now produce creative and artistic audiovisual content whether these works are related to film, Virtual Reality (VR), video game, graphic novels, or music. Ultimately, a new media content finance and production platform implementing blockchain is proposed to bring transparency in the film sector and open door
出版日期Book 2019
關鍵詞Alibaba Pictures; Youku Tudou; Yulebao; P2P; blockchain technology; smart contracts; tokenisation; Bitcoin;
版次1
doihttps://doi.org/10.1007/978-3-030-02468-0
isbn_ebook978-3-030-02468-0Series ISSN 2364-947X Series E-ISSN 2364-9488
issn_series 2364-947X
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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Mapping Out the Chinese Media LandscapeWTO access in 2001. Since this period, the Chinese creative industries have undertaken rapid and important transformations. The potential economic opportunities associated with access to China consumer market, which is the world’s largest one, have made it a prime commercial target for most internat
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Alibaba Pictures: An Illustration of Changing Business Cultures and Film Financetive talents. Through the lens of Alibaba Pictures and following Peterson’s framework, I analyse the organisational process and the change in business cultures within the Chinese corporate media world. I argue that this change directly affects the development and programming of content. In addition,
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The Case Study of Youku Tudoup. .) and how they have been shaping the local media landscape (Chap. .), particularly in terms of financing and production of creative content (Chaps. . and .). In Chap. ., the case study of YT as a microcosm of the macro political-economic forces identified by Peterson and Lemaire (Chap. .) illust
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Participatory Involvement and Focus Groups with Emerging Creative Talentsr creative vision. These are active and collaborative audiences who aspire to become professional filmmakers and creative participants working on linear or non-linear film narratives (and derived IP such as books, graphic novels, music, or videogames). In regard to Peterson’s model they relate to bo
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