Titlebook: On the Move to Meaningful Internet Systems 2004: CoopIS, DOA, and ODBASE; OTM Confederated Int Robert Meersman,Zahir Tari Conference procee

MELD

CLP(Flex): Constraint Logic Programming Applied to XML Processingh flexible arity function symbols. Then we present an application of CLP(Flex) to XML-processing where XML documents are abstracted by terms with flexible arity symbols. This gives a highly declarative model for XML processing yielding a substantial degree of flexibility in programming.

dry-eye

Systemic

DOA 2004 International Conference (Distributed Objects and Applications) PC Co-Chairs’ Messageems, asynchronous messaging, specialized distributed programming languages, and component architectures led to the industrial-strength distributed objects platforms such as CORBA, DCOM, and J2EE that became commonplace over the past decade. Continued research and evolution in these areas, along with

牽連

izations and nations have identified that those psychological aspects, including mental health concerns, beliefs about money, and relationships with money, significantly impact financial empowerment and economic well-being. This conceptual chapter will explore the intersection of gendered and racial

CARE

LAP

Cai-Nicolas Ziegler,Georg Lausene women and girls spend majority of educational and working time fetching water from waterpoints at long distances and in harsh topographies impended water access in the region. Moving forward, policy and cultural modifications are essential in deconstructing gendered water roles and in enhancing wa

aggressor

Philippe Cudré-Mauroux,Karl Aberere women and girls spend majority of educational and working time fetching water from waterpoints at long distances and in harsh topographies impended water access in the region. Moving forward, policy and cultural modifications are essential in deconstructing gendered water roles and in enhancing wa

思考才皺眉

傷心

CHAFE

Saikat Mukherjee,I. V. Ramakrishnannts Forsythe the mantle of cognitive researcher studying how minds work within the unique “l(fā)aboratory” conditions of theatrical spaces and contexts. The chapter concludes by describing a theory of perceptual performativity that explains the results of Forsythe’s choreo-scenographic research.