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Titlebook: Olympic Ceremonialism and The Performance of National Character; From London 2012 to Rodanthi Tzanelli Book 2013 Palgrave Macmillan, a div

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發(fā)表于 2025-3-21 16:48:07 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱Olympic Ceremonialism and The Performance of National Character
副標題From London 2012 to
編輯Rodanthi Tzanelli
視頻videohttp://file.papertrans.cn/701/700875/700875.mp4
叢書名稱Palgrave Studies in the Olympic and Paralympic Games
圖書封面Titlebook: Olympic Ceremonialism and The Performance of National Character; From London 2012 to  Rodanthi Tzanelli Book 2013 Palgrave Macmillan, a div
描述This book examines the London 2012 opening and closing ceremonies and the handover to Rio 2016 as articulations of national and cosmopolitan belonging. The ceremonial performances supported imaginative travel and created a tornadóros: an ideal form of ‘human‘ that manipulates audiovisual narratives of culture and identity for global audiences.
出版日期Book 2013
關鍵詞belonging; character; culture; identity
版次1
doihttps://doi.org/10.1057/9781137336323
isbn_ebook978-1-137-33632-3Series ISSN 2947-5783 Series E-ISSN 2947-5791
issn_series 2947-5783
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
The information of publication is updating

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發(fā)表于 2025-3-21 22:35:14 | 只看該作者
Struggling with the Other: Embodied Styles as Tourist Articulation,ideal types and ethnic characters for global audiences. The backgrounds of Brazilian political revolt and oppression contributed to repetitions of culturally situated patterns of work as mere consumable narratives. Rio’s artistic narrative was based on exotic marginalities (black ‘racial types’) tha
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發(fā)表于 2025-3-22 00:50:08 | 只看該作者
2947-5783 belonging. The ceremonial performances supported imaginative travel and created a tornadóros: an ideal form of ‘human‘ that manipulates audiovisual narratives of culture and identity for global audiences.978-1-137-33632-3Series ISSN 2947-5783 Series E-ISSN 2947-5791
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發(fā)表于 2025-3-22 06:51:46 | 只看該作者
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發(fā)表于 2025-3-22 11:20:09 | 只看該作者
Struggling with the Other: Embodied Styles as Tourist Articulation,te women). The ceremony’s articulation enmeshed all these types and styles into Rio’s self-presentation as a tourist ‘topos’ that was born out of past mobilities of humans, customs and embodied narratives of labour.
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發(fā)表于 2025-3-22 16:21:08 | 只看該作者
The Opening Ceremony: Structural Nostalgia and Pop Pastiche,. tórnos .
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發(fā)表于 2025-3-23 03:43:36 | 只看該作者
The Olympic Industry: Slow and Fast Mobilities,. tórnos . tornadóros . tornadóroi .
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