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Titlebook: Old and New Media after Katrina; Diane Negra Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010 economy.Internet.media.M

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樓主: Inoculare
31#
發(fā)表于 2025-3-27 00:28:12 | 只看該作者
Expanded Medium: National Public Radio and Katrina Web Memorials,taking design cues from the webpage—commercial and public radio broadcasters also have begun to embrace multimedia strategies to deliver news stories, music, and entertainment programming across multiple platforms. Don Imus simulcast his CBS radio show on the cable network MSNBC (before being fired
32#
發(fā)表于 2025-3-27 01:26:46 | 只看該作者
Life Preservers: The Neoliberal Enterprise of Hurricane Katrina Survival in ,, and ,, and SOS signs being waved from rooftops, thousands massed in the heat outside the New Orleans Convention Center, an elderly African American woman dead in her wheel chair. For critics such as Henry Giroux, these images have inscribed in visual terms the imprisoning and lethal nature of neoliberal “
33#
發(fā)表于 2025-3-27 07:05:50 | 只看該作者
34#
發(fā)表于 2025-3-27 12:58:56 | 只看該作者
35#
發(fā)表于 2025-3-27 14:13:06 | 只看該作者
Media Artists, Local Activists, and Outsider Archivists: The Case of Helen Hill,- and race-based inequities were laid bare. The failure of the government at every level became obvious. Yet the post-Katrina spotlight also inadvertently illuminated a small but significant community of independent media artists working devotedly in old and new media forms. Some are amateurs, in th
36#
發(fā)表于 2025-3-27 19:48:10 | 只看該作者
In Desperate Need (of a Makeover): The Neoliberal Project, the Design Expert, and the Post-Katrina provides not only a significant content element of makeover practices, but it also enhances the ideological values connected to transformation and care of the self where “wellness” and image function as critical commodities. Nowhere is this more evident than in those episodes of makeover television
37#
發(fā)表于 2025-3-28 01:13:23 | 只看該作者
38#
發(fā)表于 2025-3-28 06:03:27 | 只看該作者
Exile, Return, and New Economy Subjectivity in ,,ay stands in uncanny relation to the (heavily African American) population dispersion from New Orleans after Hurricane Katrina. In this discussion I want to explore how an otherwise conventional chick flick empowerment narrative acquires unexpected resonances of cultural trauma.
39#
發(fā)表于 2025-3-28 10:10:05 | 只看該作者
Book 2010twenty-first century crisis narratives centralizing uncertainties about race, class, region, government, and public safety. Looking closely at the organization of public memory of Katrina, this collection provides a timely and intellectually fruitful assessment of the complex ways in which media forms and national events are hopelessly entangled.
40#
發(fā)表于 2025-3-28 13:45:14 | 只看該作者
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