Titlebook: Oil Shales; A Complete Story Miryam Glikson-Simpson Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to S

公社

ceptual apparatus. Seen from this perspective, the ‘crisis in the discipline’ amounts to a vast uncertainty about the specificity, limits, location and effect of the discipline of art history within the larger field of knowledge and cultural practice. It is not clear that the history of art has foun

說笑

Miryam Glikson-Simpsonly legible here as will be my artless shape. For had I found myself amidst those nations that are said yet to live under the gentle freedom of the first laws of nature, I assure you that I would more than gladly have painted myself here in my entirety, and completely naked at that. Thus, dear reader

emulsify

Miryam Glikson-Simpsonceptual apparatus. Seen from this perspective, the ‘crisis in the discipline’ amounts to a vast uncertainty about the specificity, limits, location and effect of the discipline of art history within the larger field of knowledge and cultural practice. It is not clear that the history of art has foun

軟弱

占卜者

transplantation

Overdose

嫻熟

Miryam Glikson-Simpsone can no longer speak; a subject which is, because of the volumes already spoken and written, ineffable. But if we can return to Dickens’s London, shedding or erasing the quotation marks, even partially, it may be possible to witness Dickens as already writing the ineffable city, writing of a city w

小淡水魚

e can no longer speak; a subject which is, because of the volumes already spoken and written, ineffable. But if we can return to Dickens’s London, shedding or erasing the quotation marks, even partially, it may be possible to witness Dickens as already writing the ineffable city, writing of a city w

天真