Titlebook: Of Essence and Context; Between Music and Ph Rūta Stanevi?iūt?,Nick Zangwill,Rima Povilionien? Book 2019 Springer Nature Switzerland AG 201

強壯

as the Source of Beauty in Musicction of seemingly opposite fields. The Latin . generally covers the different subjects of arithmetic, geometry, astronomy and music; meaning not only ‘a(chǎn)rt’, but also ‘science’; not only ‘skill’ and ‘craft’, but ‘knowledge’ as well. Over the course of different epochs, music theory has been classifi

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Some Remarks on Verbal Models in Musicication which is inherent in it. On the other hand, the structures of this strictly conditional musical language often have something in common with models of verbal language. We can see here the formal (syntactical) analogies without lexical contents. We propose to present the results of observatio

慢慢啃

On the Role of Intonation in Music and Communication Practicesentirely mediated by verbal language and its richness surpasses the capacity of verbal expression. Considering intonation as a crucial means of communication and interaction, it is assumed that the need for communication could lie in the origins of music. Music permits us to put into practice variou

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禁令

Where Is the Essence of a Musical Work?he communicative path of a musical performance. The double ontological status of music as both cognitive activity and observable object makes any transition from cognition to object a reduction from thick to thin entity, and any transition from notated/sounded work to interpretation/musical experien

向外才掩飾

Performance as Understanding in Action: Re-thinking the Concept of Musical Experiencemary ways in which we describe musical experiences in philosophical and musicological discourse are analytical and formal. My own view is that pure, instrumental music is intended to resonate with the inner life of an interpreter (performer, critic, and listener). I call my view ‘moderate aesthetic

intangibility

osculate

Piotr Podlipniakave of the system to which it refers. A problem may thus find itself defined as a badly interpreted output, or as a faulty output of a faulty output device, or as a faulty output due to a malfunction in an otherwise faultless system, or as a correct but undesired output from a faultless and thus und

Inexorable

Tijana Popovi? Mladjenovi?ave of the system to which it refers. A problem may thus find itself defined as a badly interpreted output, or as a faulty output of a faulty output device, or as a faulty output due to a malfunction in an otherwise faultless system, or as a correct but undesired output from a faultless and thus und

Intervention

Nicolas Royer-Artusoave of the system to which it refers. A problem may thus find itself defined as a badly interpreted output, or as a faulty output of a faulty output device, or as a faulty output due to a malfunction in an otherwise faultless system, or as a correct but undesired output from a faultless and thus und