Titlebook: Non-State Armed Actors in the Middle East; Geopolitics, Ideolog Murat Ye?ilta?,Tuncay Karda? Book 2018 The Editor(s) (if applicable) and Th

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Global Politics of Image and the Making of a Legitimate Non-state Armed Actor: Syrian Kurds and ‘Theduring the Syrian civil war are in many ways an instructive yet puzzling case for students of international politics and security studies. The US intervention deviated from Obama’s earlier grand strategy of pivot to Asia-Pacific and steering clear of the new Middle East conflicts, most recently, inv

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Path to Become a State: From Jama’at Al-Tawhid Wal-Jihad to the Islamic Stateary and civilian practices in the region. This chapter surveys the dominant patterns of action and strategic preferences of the IS, by first examining its political and military evolution from the invasion of Iraq (in 2003) to the declaration of a caliphate. It also explains the financial, military,

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The Making of European Foreign Fighters: Identity, Social Media and Virtual Radicalizationere are a number of vital questions to which the global society desperately and hastily seeks answers: Who are these young men . women joining the civil war in Syria? What are their motivations to fight a foreign war? What is their emergent ‘hypergood?’ What is the role of social media in their radi

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What the ISIS Crisis Means for the Future of the Middle Eastons. First, the existing frameworks are not appropriate for a holistic assessment of the organization, prompting analysts to mistake ISIS’ tactics or propaganda for its political objectives. Second, an almost exclusive emphasis on ISIS per se distracts from the symbiotic and complex relationship bet

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Conclusion: The State of the Non-state Armed Actors in the Middle Eastthe Middle East geopolitics. It firstly focuses on the corrosive economic, political, and security structure of the Middle East by taking into consideration the impact of the non-state military actors. Second, it elaborates the question of how the NSAAs shape the new collective consciousness in the

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