Titlebook: Nineteenth-Century Poetry and the Physical Sciences; Poetical Matter Gregory Tate Book 2020 The Editor(s) (if applicable) and The Author(s)

Exposition

歌唱隊(duì)

convulsion

Wordsworth, Humphry Davy, and the Forms of Nature,red a focus on the material things which they termed “the forms of nature.” They also agreed, however, in differentiating between the aims of poetry and those of science: while the experimental investigations of chemistry analysed the physical forces and processes that shaped nature’s forms, the lin

Negligible

accordance

Words and Things in the Periodical Press,o divorce scientific theories from humans’ direct experiences of nature. This chapter argues that such satire was often articulated in poems and poetic quotations which were simultaneously used to ask questions about verse itself, as periodical writers debated to what extent poetic language was an e

Filibuster

,Tennyson’s Sounds,mbivalent conception of sound as simultaneously permanent and evanescent, and of the human voice as both a spiritual signifier of identity and a transient disturbance of the air. His preoccupation with the duality of sound informed his views on personal immortality, his politics, and his understandi

Adj異類的

Ccu106

,Hardy’s Measures,dy’s poetry, regular yet idiosyncratic, embody his understanding of a material universe which is uniform and quantifiable but at the same time inexplicable: while the methods of science enable the precise measurement of natural phenomena, those measurements are incommensurable with subjective sensat

小歌劇

Palgrave Studies in Literature, Science and Medicinehttp://image.papertrans.cn/n/image/666600.jpg

不可接觸

https://doi.org/10.1007/978-3-030-31441-5Nineteenth-century poetry; Poetry and science; Nineteenth-century physical science; William Wordsworth;