Titlebook: Nineteenth-Century Illustration and the Digital; Studies in Word and Julia Thomas Book 2017 The Editor(s) (if applicable) and The Author(s

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書(shū)目名稱(chēng)Nineteenth-Century Illustration and the Digital影響因子(影響力)




書(shū)目名稱(chēng)Nineteenth-Century Illustration and the Digital影響因子(影響力)學(xué)科排名




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書(shū)目名稱(chēng)Nineteenth-Century Illustration and the Digital網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




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書(shū)目名稱(chēng)Nineteenth-Century Illustration and the Digital讀者反饋




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Frontispiece,In a discussion that takes place within the framework of digital humanities and illustration studies, the introduction argues that it is as much in the development of the digital resource as in the end product that new ways of viewing historic illustrations are generated.

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Book 2017interplay with the digital...In its exploration of the intersections between historic illustrations and the digital, the book is of interest to those working?in illustration studies, digital humanities, word and image, nineteenth-century studies,?and visual culture..

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Tailpiece,results in a radically new way of viewing illustration that is defined here as ‘a(chǎn)ffillustration’, a term that captures the interplay or ‘kinship’ between illustrations, their allusions and references to other illustrations, and their place in a distinct iconographic tradition.

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Frontispiece,and the digital. Drawing on a range of nineteenth-century source materials and twenty-first-century digital archives, Thomas establishes a conceptual model for understanding how its migration to a digital environment challenges our perception of illustration and the relation between word and image.