Titlebook: Nichtkonventionelle Energienutzung; Eine Einführung in d Erich Rummich Book 1978 Springer-Verlag/Wien 1978 Biogas.Energie.Energiebedarf.Ene

生命層

Erich Rummichplinary account which examines how architecture and the builThis edited collection examines the culture of surveillance as it is expressed in the built environment. Expanding on discussions from previous collections; .Spaces of Surveillance: States and Selves. (2017) and .Surveillance, Race, Culture

者變

Erich Rummich(but if there is, where?). In order to arrive at the creative work made possible by the edited collection, this chapter uses Lucier’s score and acts as a . to consider three ongoing laboratory projects, each using off-the-shelf hardware to reengineer the poetic imaginaries of surveillance, control,

大范圍流行

Erich Rummichfellow dramatists reason to pause when contemplating the subject matter of their plays. Nonetheless, around 1595 Shakespeare embarked on his second historical tetralogy known as the .. But whereas Marlowe’s . had been staged at court soon after publication of multiple Catholic works attacking Burghl

下級

Erich Rummichfellow dramatists reason to pause when contemplating the subject matter of their plays. Nonetheless, around 1595 Shakespeare embarked on his second historical tetralogy known as the .. But whereas Marlowe’s . had been staged at court soon after publication of multiple Catholic works attacking Burghl

obligation

Erich Rummichwhich English domestic policy is wedded to a new global foreign policy run not by monarchs but by a conglomeration of forces recognizable as the ‘state.’ This epoch features the rise of a ‘.,’ or ‘Cecilian Regime’ initiated by Sir William Cecil (created Lord Burghley in 1571), and inherited by his s

orthopedist

使迷醉

HAUNT

nitric-oxide

Immortal

Erich Rummicha work of art-in particular the tortured body on canvas. Through a discourse of the gaze—albeit the feminist gaze or the postcolonial gaze—Botero performs a power struggle between the torturer and the prisoner’s body reframing the ways in which the figure becomes the subject of political objectifica