Titlebook: New Trends in Contemporary Latin American Narrative; Post-National Litera Timothy R. Robbins (Assistant Professor of Spanish Book 2014 Timo

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The Reader as Translator: Rewriting the Past in Contemporary Latin American Fiction,es from the heavy shadow of our illustrious forefathers of the Boom, but we’re not that foolish” (137). Instead, he and his fellow writers have been careful to clarify that they reject a market demand for the Boom and its inferior disciples, what Pascale Casanova called a “vogue for exoticism” in .

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Multiple Names and Time Superposition: No Anxiety in the Electronic Poetics of Yolanda Arroyo and D strategies of transmission and communication employed by the well-known writing tradition. . However, the end of one cycle marks a new beginning that, in Fuguet’s case, is not as new as it could be: he decides to quit writing literary blogs and become a kind of independent film producer through a w

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New Trends in Contemporary Latin American NarrativePost-National Litera

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Introduction ,: Tradition and New Writing in Latin America,undational gesture had two important consequences: one, the search for a mode of expression uniquely Latin American, an idea originally started in the early nineteenth century, and, two, the unprecedented influence of the movement on the region’s literary history. Modernismo became an obligatory point of reference for future authors and movements.

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