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Titlebook: New Stories for Old; Biblical Patterns in Harold Fisch Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 fictio

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發(fā)表于 2025-3-21 17:43:38 | 只看該作者 |倒序瀏覽 |閱讀模式
書目名稱New Stories for Old
副標題Biblical Patterns in
編輯Harold Fisch
視頻videohttp://file.papertrans.cn/666/665769/665769.mp4
叢書名稱Cross Currents in Religion and Culture
圖書封面Titlebook: New Stories for Old; Biblical Patterns in Harold Fisch Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited 1998 fictio
描述Harold Fisch explores the biblical influence on the style and structure of landmark works by Fielding, Defoe, George Eliot, Kafka, Dostoevsky and others. Whilst the great novelists could not manage without the Bible, at the same time ‘it would not do‘. The book concludes with two chapters on the Israeli novelists S.Y. Agnon and A.B. Yehoshua.
出版日期Book 1998
關(guān)鍵詞fiction; novel; realism; structure; time
版次1
doihttps://doi.org/10.1057/9780230502352
isbn_ebook978-0-230-50235-2Series ISSN 2947-8448 Series E-ISSN 2947-8456
issn_series 2947-8448
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 1998
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-22 00:06:46 | 只看該作者
Palgrave Macmillan, a division of Macmillan Publishers Limited 1998
板凳
發(fā)表于 2025-3-22 04:00:49 | 只看該作者
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發(fā)表于 2025-3-22 05:49:38 | 只看該作者
Cross Currents in Religion and Culturehttp://image.papertrans.cn/n/image/665769.jpg
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Book 1998Harold Fisch explores the biblical influence on the style and structure of landmark works by Fielding, Defoe, George Eliot, Kafka, Dostoevsky and others. Whilst the great novelists could not manage without the Bible, at the same time ‘it would not do‘. The book concludes with two chapters on the Israeli novelists S.Y. Agnon and A.B. Yehoshua.
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發(fā)表于 2025-3-22 12:54:58 | 只看該作者
https://doi.org/10.1057/9780230502352fiction; novel; realism; structure; time
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Biblical Patterns for Sale: Malamud, , Leggatt and the Captain belong to the archetype of the Double.. In these examples, Conrad is clearly exploring the artistic possibilities of these archetypal stories and myth-patterns. Much the same is true of Hardy. The stories of Saul and David from the first book of Samuel are seriously evoked i
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