Titlebook: New Readings Of The American Novel; Narrative Theory And Peter Messent Textbook 1990Latest edition Macmillan Publishers Limited 1990 Narrat

使尷尬

Oversee

我不怕犧牲

and ,: A Barthesian Reading,reference. Language, rather, gives here a seemingly transparent representation of a solid world. All stress is placed on referent: word becomes a ‘translucent window … neutral and colourless’. onto world.

六邊形

Speech Representation, Focalization and Narration in ,ivileged knowledge both about a text and a philosophical and aesthetic field (truth, beauty, art) they close down possible responses to that text on the part of others. How can I approach a novel which has already been so grandiloquently and conclusively assessed by Sklar?

LUDE

Slippery Stuff: The Construction of Character in ,m of paradox, but also that of similarity: if two characters are described in like manner the lines between them start blurring. Can either be described in terms of that coherent and unique individuality which has been the basis for traditional notions of what character in the novel means?

山間窄路

玷污

G-spot

Textbook 1990Latest edition for a student audience. The seven American novels discussed come mainly from the traditional `canon‘; a final chapter on Their Eyes Are Watching God argues, however, for a broadening of the boundaries of `literary‘ discourse.

公社

有毒

10樓