Titlebook: New Perspectives on Thomas Hardy; Charles P. C. Pettit (librarian, Client Services M Book 1994 Palgrave Macmillan, a division of Macmillan

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Charles P. C. Pettitvestigating the meanings and ideologies encoded in these diverse stony creations, I consider how they are hylomorphic commemorative endeavours, through which meaning is imposed on space. As such, they contrast with Aboriginal ways of understanding how memory is embodied by already existing stone for

Instantaneous

F. B. Pinionserve as sites of recreation, conservation, building development and creative practice following landfill or instead of it. Finally, I examine how these redesignated former quarries require remediation, a practice characterised by contesting ideas and increasingly sophisticated landscaping approache

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明智的人

,‘Moments of Vision”: Postmodernising , or, , Faithfully Presented,s . a little about Thomas Hardy. But there is also a great deal of visual imagery in the novel of a rather more self-reflexive sort — a kind of metadiscourse about looking, seeing, perception, representation, imaging.

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,‘Bosh’ or: Believing neither More nor Less — Hardy, George Eliot and God,ist’s trade while his philosophy came to him as it were from the depths of his own mind or perhaps, by some process of intellectual osmosis, out of the Dorset air. A recent study of his philosophy, for instance, while mostly quite intellectually respectable, can drift off into this sort of misty speculation:

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Book 1994olars. The essays range widely over Hardy‘s work, thought, creative methods and life, and show a variety of critical approaches. The essays collected here will appeal equally to scholars, students and non-academic Hardy enthusiasts.

高談闊論

,Thoroughfares of Stones’: Hardy’s ‘Other’ Love Poetry,tacle of a poet’s not only confining his amatory verse to his wife but also waiting until after her death and his attainment of the age of seventy-two before embarking on it, which would surely take self-abnegation beyond belief.

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