Titlebook: New Music and Institutional Critique; Christian Grüny,Brandon Farnsworth Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s)

只看該作者 · 發(fā)表于 2025-3-30 17:50:25

Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Researches to function as a source of institutional critique, and then stakes out a dissenting perspective on the political economy of music research today to show how historiographical and epistemological feelings have changed since musicology began to lag. Critique is framed in a ‘non-modern’ perspective

只看該作者 · 發(fā)表于 2025-3-30 21:40:13

Black Music’s Institutional Critiquehetic system surrounding Black art and had institutionalised it much earlier than modern or contemporary art had. This de-universalisation of the European fine arts has consequences for the theory of critique. Black music’s governing institutions in the 1960s were the recording label, the night club

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